Impossible Announces PZ 600 Image/Spectra Film for Polaroids

This is just so cool... Impossible just announced that they're selling Polaroid integral film which will work in the Spectra line of cameras. Those are the bigger Polaroid cameras which would shoot wider-format images (as opposed to the typical square) under the names "Spectra", "Image", "1200" and "990". I've always been a bit of a purist when I got into Polaroid and I focused on the older "peel-apart" films. The SX-70 and 600/Onestep cameras were cool with their automatically-developing process, but the images were so small! Spectra kind of fixed that, giving you an image which was about 1/3 bigger. Doesn't seem like a lot, but when you have a small image, it's a big difference. Of all the film that's hard to find, the Spectra/Image/1200 film is probably the hardest. It seems to go bad really fast, faster than the 600 stuff. Don't know why. So this news is good news for me... I'll have to pick up some film from Impossible soon.

IMPOSSIBLE - film: Impossible PZ 600 Image/Spectra Film

Lowell Sun just ran a story about my show

Maxine, the Loading Dock Gallery curator, just told me about this story in today's Lowell Sun, in the "Steppin' Out" section. This definitely ups the anxiety a bit. I actually haven't been anxious that much, but something like this means a lot of people I don't know will pick up the paper, read this story and show up with their critical eye, so there's that voice in me that says "friends will say your work is nice, but strangers can be honest if it's not", so I'm really hoping people enjoy the show. I've been very busy getting ready. And of course the whole crew at the Loading Dock Gallery have been busy as well. I'm pretty excited about tomorrow night. Everyone is invited to the show at 122 Western Avenue in Lowell. The reception is Friday night, from 6-9pm. And I still need to figure out food!

If you're on Facebook, you could put it on your calendar here

The "Impossible" is about to become possible

When Polaroid announced several years ago that it would be hanging up film products for good, the world responded with a resounding "I though you were already dead?" There were a few folks, like myself, who were still using Polaroid and buying up stashes of Polaroid, but most people weren't too alarmed. Those that were alarmed wiped away the tears and immediately jumped online, started blogs, Flickr groups and even companies devoted to satiating Polaroid fanatics.

Sites like "Save Polaroid" led to sites like "Unsaleable.com" where you could buy all those crazy film fantasies in the form of Lomo and Holga cameras, Polaroid films and more.

Then something interesting happened. Unsaleable magically became Polapremium.com. This new Polapremium company specialized in only Polaroid, but not only that, they offered films unavailable and even unknown to the majority of Polaroid fans like myself. "Blue" Type 100 Polaroid film? "Soft focus" Spectra? Even "Chocolate" Polaroid, previously only available to those wealthy enough to afford the 8x10 positives and negatives which ran about $200 a box, but now available for less than $20 a box for your Type 80 or Type 100 camera.

Around the same time, a story came out about some Dutch Polaroid ex-employees who got together to buy up Polaroid's equipment and lease their factory to do what seemed the impossible: bring back Polaroid. This endeavor became known as the Impossible Project, a name coined from a phrase said by Dr. Edwin Land, founder of Polaroid, who said "don't undertake a project unless it is manifestly important and nearly impossible. This group at the Impossible Project decided they were going to make new Polaroid film and even try to make it easier to manufacture since the old Polaroid films used dozens of resources just to make one print. The folks at either company didn't make a big deal about it, but a lot of people noticed that the people with the Impossible Project were connected to Polapremium. Not only that, but Ilford was involved.

Today, we see that this wasn't just talk. Polapremium has changed its name once again, and this time it's "Impossible", a clear connection to The Impossible Project (even the URL gives it away). While much of its stock is depleted, it is clear that Impossible (Project) is serious about an announcement they'll be making in late March, apparently about some new developments they've made for future Polaroid films. 

All I can say is if they announce new large format peel apart film -- especially my beloved Type 55 -- it'll be a great birthday present! Otherwise, I'll be content with some new film for my Onestep.

Imagining Past and Present: a Photo Retrospective by Jeffrey Engel

Not too pretentious a title hopefully! I'll have a solo show from March 3 through 28 at the Loading Dock Gallery in Lowell, MA. An opening reception will be held on Friday March 5th from 6 to 9pm. Some of the work that will be in the show will cover a wide range in terms of age as well as media. I'll have photos from the early '90s, and I'll have recent Polaroid emulsion lift pieces. There is no over-arching theme other than most of the pieces tend to be landscapes or environmental photos.

I'll also have a few hand-made silver-gelatin prints available. I made these at Bill LaPete's lab in South Boston. Bill is a master printer, a genius at his craft, and he'll impart some secrets you never learn in art school if you use his darkroom.

Other Photographer turns down a model who wants full editing rights

I wrote this in response to someone in the General Industry forum on Model Mayhem.

Depending on the model, I might sign like this (release where the model wants full editing rights, ie. she wants to be able to say yea or ney on whether any of the photos get published). If the model wasn't worth it, you did right by not agreeing. But I could think of situations where it might be worth the risk of the model nixing all your photos. In fact, you hear about this more and more with celebrities or models who know they have leverage with a photographer who really wants to get known. If I were a rising or established celebrity, I may be trying to control my "brand" and how I'm perceived in the media. The successful brand are the ones that are professionally and closely managed. Know what I mean. Your model friend may be trying to do the same. She may want to make sure none of your photos that get released have some expression or whatever that she does not want to make public.

I worked with a model once who asked me to not publish any of the photos that had her in profile. Everything else was OK, but she was really concerned with the ones that had her looking to the left and where we could see that her nose was a bit long. I complied because I respected that she was trying to create a persona and her profile expressed some things that didn't fit into that persona. I can respect that.

I encourage models to really think about what THEY want out of the model release, not just agree to my terms but really think about what they're saying and cross out the things they don't like and add in things they want. Then I read it and do the same.

Most of the time, models just skim it and sign the release.

Models, you DO have power here. You are 50% partner in the endeavor.

Negotiation is an art.